News
Matinée Showing of the Ballet Sleeping Beauty – the Czar’s Last Daughter
You are warmly invited to the matinée performance of the ballet Sleeping Beauty – the Czar’s Last Daughter, taking place at the State Opera on March 20 at 11:00 a.m. Don’t miss the chance to see this spectacular dance drama about the happy days and tragic end of Russia’s last royal family. Tickets are available at the exceptionally advantageous price of 100.- KC.
„It is a big honor for me to perform on the stage of State Opera“, says Ulvi Azizov
Ulvi Azizov, principal dancer of the State Opera Ballet, the laureate of many prestigious awards, was awarded for his contribution to the development of ballet Arts and the high level of professional skills at the Rudolf Nureev XVI International Ballet Festival. His talent was highly appreciated by the famous ex Maitre de Ballet of Paris Opera (the choreographer), Professor Francis Malovik: ”Ulvi Azizov has shown himself as a great classical dancer, able to demonstrate both his dramatic talent and excellent techniques”. Ulvi Azizov has participated in many World International Ballet Galas.
Ulvi Azizov will perform in the ballet Swan Lake the role of Prince Siegfried on the January 29, 2012. "It is a big honor for me to perform on the stage of State Opera in the role of Prince Siegfried and to work with the famous Prima-ballerina, Artistic Director, Hana Vlacilova!"
Current season’s last Phantom of the Opera
Don’t miss the season’s last performance of the ballet horror love story, The Phantom of the Opera, taking place on Monday, January 16, 2012. A romantic yarn based on Gaston Leroux’s novel Le Fantôme de l’Opéra, choreographed here by Libor Vaculík, has appealed to a wide spectrum of audience, becoming a staple part of the company’s repertoire. Featured in the leading roles will be Prague State Opera ballet soloists, Richard Hlinka as the enigmatic title hero, and Zuzana Hvízdalová as the object of his passion, Christine Daaé.
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Performances coming soon
Gala Concert
Wagner’s operas became the mainstay of the repertoire that was built up at the New German Theatre (today’s Prague State Opera) by its first director, Angelo Neumann, a close friend of Richard Wagner. During his era (1888 – 1910), he mounted over 600 performances of Wagner’s operas at the New German Theatre, apart from which he organized regular spring and autumn Wagner cycles, and even made a Russian tour with a programme of operas by the Bayreuth Master. In subsequent stages of the New German Theatre’s history, the company’s Wagnerian cult was taken heed of most notably by the principal conductors, Alexander Zemlinsky and Georg Széll. In the course of the era when the opera’s premises were renamed to Smetana Theatre and the institution was incorporated into the National Theatre, its stage became the venue of new productions of the operas Der fliegende Holländer (1959, 1986), Lohengrin (1964), Die Meistersinger von Nürnberg (1978, 1982), Das Rheingold (1975), and Tannhäuser (1955). During the yearlong existence of the Smetana Theatre as an autonomous company, the list was complemented by a new production of Rienzi (1991). Then, the already fully independent Prague State Opera (from April 1, 1992) declared as part of its policy the programmatic continuation of the legacy of the New German Theatre. One of the first steps along this road was a new staging of Tannhäuser (first night April 10, 1993), followed four years later by Lohengrin (May 17, 1997), then Die Walküre (concert production, June 1, 1998), and after a fairly long pause, Der fliegende Holländer (May 29, 2008). The year 2010 saw a memorable moment, marking Wagner’s symbolic comeback to the building which had played host to his music, assigning it a prominent status throughout the fifty-year-long existence of the New German Theatre: the composer’s bust was unveiled in the dress circle of the historical building. This event took place on May 20, 2010, on the day of the premiere of a new production of Tristan und Isolde, directed by the prominent British conductor, Jan Latham-Koenig. The production was mounted under the patronage of the Richard Wagner Society in Prague which also co-financed, with the Prague State Opera, the making of the bust. The unveiling constituted an overture to the Wagner Congress which will be held in Prague, in 2012. The matinée, Tribute to Richard Wagner II, on May 20, 2012, will mark the official closing of the Congress.
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05. 18. 2012 at 19:00
Tribute to Richard Wagner I
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05. 19. 2012 at 19:00
G. Bizet: Carmen
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05. 20. 2012 at 11:00
Tribute to Richard Wagner II
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